The Rejection of Techno-Culture in the "Alita Battle Angel" Movie by Robert Rodriguez
An Application of Jean Francois Lyotard’s Postmodernism Theory
DOI:
https://doi.org/10.33772/elite.v4i1.1139Keywords:
Postmodern, Metanarrative, Rejection, TechnocultureAbstract
This research aimed to describe The Rejection of Technoculture in the Alita: Battle Angel Movie by using Jean Francois Lyotard Theory. This research used the Descriptive Qualitative Method. The source of the data in this research is Alita: Battle Angel Movie directed by Robert Rodriguez that is published in 2019. The data was collected through watching the movie carefully several times, pausing every scene to read the conversation text, screen shooting the image that related, and taking a note about the data. This research is analyzed by identifying characters that represented the Technoculture, Displaying and interpreting the data about Technoculture by using Postmodernism theory by Jean Francois Lyotard Theory and Drawing the conclusion. The result of this research found that Alita, Zapan, Grewishka are characters that represented the Technoculture (Cyborg and Human Relationship and Hedonism) represented in the Alita: Battle Angel Movie through the power of science and technology, individualism, and rationality. The Rejection of Technoculture depicted through the character of Alita that her power is not evolved from technology but originating from the legendary martial art called Punzer Kuntz before her body is combined with Ido's technological tools. Technology is not necessarily having an important role in the human body as described by the heroine character, Alita herself, whose overall strength did not come from technology. Alita in this movie is a parody because she is a robot that humanized herself. In fact, she shows many aspects of his humanity that humans are busy degrading themselves.
References
Alita: Battle Angel Movie. 2019. Robert Rodriguez. James Cameron and Jon Landau.
Best, Steven dan Douglas Kellner. 1991. Postmodernism Theory: Critical Interrogations. New York: The Guilford Press.
Emilia, Steuerman. 2000. The Bounds of Reason: Habermas, Lyotard and Melanie Klein on Rationality. London: Routledge.
Finch, Henry Le Roy. 1977. Retrieved on December, 25th 2020. <http://changingminds.org/explanation/behaviors/games/wittgenstein_game.html#
Fitriah, Waode Fadhilah. 2010. Critics Towards Metanaratives in the Babel Movie viewed by Jean Francois Lyotard Thought: A Study of Postmodernism. Jakarta. Syarif Hidayatullah University.
Fitriani, Nina. 2017. “Postmodernism in the Life of Main Character in Passo’s The Big Money. Jean Francois Lyotard thought. North Sumatera. North Sumatra University.
Ghazali, Abdullah Moqsith and Djohan Effendi. 2009. “Merayakan Kebebeasan Beragama: Bunga Rampai Menyambut 70 Tahun Djohan Effendiâ€. Penerbit Buku Kompas. Jakarta.
Habermas, Jurgen. 1981. The Theory of Communicative Action Volume 1: Reason and Rationalisation of Society. Boston: Beacon Press.
Haraway, Donna. 1991. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century,†in Simians, Cyborg and Women: The Reinvention of Nature. New York: Routledge.
Hayati, Fidelis Krisna Hayati. 2018. “Postmodernism Ideas As Seen in the Character Thoughts of Jostein Gaarder’s Maya. Jean Francois Lyotard thought. Yogyakarta. Sanata Dharma University.
Hornby, Nick. 2010. “Comparing Novel and Filmâ€. New York: Riverhead Books
Ignatius, Bambang Sugiharto. Arah dan Kecenderungan Filsafat Barat Masa Kini:SebuahSketsa.http://Filsafat-eka-wenats.Blogspot.com/2008/10/arah-dan-kecenderungan-filsafat-barat.ht
Jencks, Charles. 1998. “The Post-Modern Readerâ€. Oxford. Blackwell Publisher, 469-480.
Kothari, C. R. 2004. “Research Methodology: Methods and Techniquesâ€. New Delhi. New Age International Limited.
Kalean. 2002. “Filsafat Bahasaâ€. Paradigma. Yogyakarta
Leahy, Louis. 1985. Manusia Sebuah Misteri Sintesa Filosofis Makhluk Paradoks. Jakarta: Gramedia.
Lechte, John. 2001. “Filsuf Kontemporer dari Strukturalism sampai Postmodernitas. Yogyakarta: Kanisius.
Lyotard, Jean Francois,. 1982. “The Postmodernism Condition: The Report on Knowledge Volume 10â€.United Kingdom: Manchester University.
Lyotard, Jean Francois. 1988. The Difference: Phrases in Dispute. Minneapolis: University of Minnesota Press.
Lyotard, Jean Francois. 2013. “Writing on Contemporary Art and Artistâ€. London: Leuven University Press.
Maksum, Ali. 2012. “Pengantar Filsafat: Dari Masa Klasik Hingga Postmodernismâ€. Ar-Ruzz Media. Yogyakarta.
Ningsih, Andhika Putri Rania,. 2019. “Technoculture in the Avenger: Infinity War Movie. An Application by Jean Francois Lyotard’s Postmodernism Theoryâ€. Kendari. Universitas Halu Oleo.
Carey, Peter. 1993. “Postcolonial/Postmodern: Australian Literatureâ€. The University of Oklahoma. New York
Turner, Fredrick. 1995. “The Culture of Hope: A New Birth of The Classical Spiritâ€. New York: The Free Press.
Wittgenstein, L. 1979. On Contrary. Oxford: Blackwell.
Wora, Emanuel. 2006. Perenialisme: Kritik atas Modernism dan Postmodernism. Yogyakarta: Kanisius.
Yunus, Herti. 2018. “Rejection of Metanaratives in the Avengers Movie by Joss Whedonâ€. An Application of Jean Francois Lyotard’s Postmodernism Theory. Kendari. Universitas Halu Oleo.
Lubis, Akhyar Yusuf. 2003. Matinya narasi besar, berkembangnya narasi kecil dan permainan kebenaran dalam perspektif postmodernism. Depok. Indonesia University Press.
Zaprulkhan. 2016. Filsafat Ilmu: Sebuah Analisis Kontemporer. Jakarta: PT. Rajagrafindo Persada.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 ELITE: Journal of English Language and Literature

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.