TARIAN SAJOMOANE
DOI:
https://doi.org/10.33772/kabanti.v5i2.1278Keywords:
Tarian, Sajomoane, Interaksi simbolikAbstract
Penelitian ini bertujuan untuk mengetahui dan mendeskripsikan makna simbolik dan nili-nilai yang terkandung didalam tarian sajomoane.Untuk menganalisis data dalam penelitian ini menggunakan teori interpretasi simbolik Clifford Geertz. Teknik pengumpulan data yang digunakan adalah teknik penelitian lapangan (field work) dengan menggunakan dua (2) metode yaitu pengamatan (observation) dan wawancara mendalam (indeepth interview). Penelitian ini adalah penelitian kualitatif dan menggunakan metode etnografi. Hasil penelitian menunjukkan bahwa Tarian sajomoane adalah tarian “sakral†dan merupakan tarian perang olehnya itu tarian ini dimainkan oleh kaum laki-laki yang sehat bugar dan tubuhnya kuat dan kekar.Tarian ini merupakan penjemputan yaitu diperuntukan atau dipersembahkan untuk menjemput tamu-tamu terhormat atau tamu-tamu kerajaan. Adapun makna simbol yang terkandung dalam tarian sajomoane seperti gerakan persiapan pasukan sebagai gerakan awal dalam tarian bermakna menggambarkan keadaan dan kesiapan pasukan untuk melakukan pengintaian terhadap musuh. Selanjutnya gerakan pengintaian musuh oleh pasukan gerakan yang dilakukan yaitu penari masuki area atau lapangan dengan berlari-lari, dan mengancungkan parang keatas dan membentuk formasi barisan empat banjar yang diiringi oleh tabuhan gong bemakna menggambarkan pasukan yang telah melaksanakan pengintaian dan bersiap melaporkan hasil pengintaian tesebut kepada komandan atau pimpinan pasukan utama. Nilai dalam tarian sajomoane yaitu nilai estetika, nilai budaya, dan nilai pendidikan.
Downloads
References
Darwis, Muhammad (2017). Makna Simbolik Tari Riringgo di Kabupaten Luwu Timur, Sulawesi Selatan.
Geertz, Clifford (1992). Tafsir Kebudayaan, Yogyakarta : kanisius.
Hanif, Muhammad dkk (2017).Makna Simbolik Tari Pentul Melikan di Tempuran Paron Ngawi.Jurnal studi sosial volume 2 nomor 1 juli 2017.
Kartika, Soni. (2007). Pengantar Estetika. Bandung: Rekayasa Sains.
Koentjaraninggrat. (1994). Metode-metode Penelitan Masyarakat.Gramedi.
Pratama, Setia Vera (2017).Kajian Makna Simbolik Tari Walet Di Kabupaten Kebumen.Jurusan Pendidikan Seni Drama Tari dan musik.fakultas Bahasa dan Seni.Universitas Negeri Semarang.
Pratiwi, Anisa (2016). Makna Simbolik Dalam Tari Kkhadissiswa.(Skipsi) Fukultas Ilmu Bahasa dan Seni Unifersitas Negeri Yogyakarta.
Spradley, James P. (1997) Metode Etnografi. Yogyakarta: Tiara Wacana.
Additional Files
Published
Issue
Section
License
COPYRIGHT
KABANTI: Jurnal Kerabat Antropologi are published under the terms of the Creative Commons Attribution-ShareAlike. Authors retain the copyright to their work. Users may read, copy and distribute the work in any medium provided the authors and the journal are appropriately credited.
LICENSE TO PUBLISH
- License
All material published by KABANTI: Jurnal Kerabat Antropologi is protected under International copyright and intellectual property laws. The KABANTI is licensed under a Creative Commons 4.0 International License (CC-BY-SA) or an equivalent license as the optimal license for the publication, distribution, use, and reuse of scholarly works.
This license permits anyone to compose, repair, and make derivative creation even for commercial purposes, as long as appropriate credit and proper acknowledgment of the original publication from a journal are made to allow users to trace back to the original manuscript and author.
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. If you remix, transform or build upon the material, you must distribute your contributions under the same license as the original.
- Author’s Warranties
The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.
- User Rights
Under the Creative Commons Attribution-ShareAlike license, the author(s) and users are free to share (copy, distribute and transmit the contribution).
- Rights of Authors
Authors retain the following rights:
- copyright, and other proprietary rights relating to the article, such as patent rights,
- the right to use the substance of the article in future own works, including lectures and books,
- the right to reproduce the article for own purposes, provided the copies are not offered for sale,
- the right to self-archive the article.
- Co-Authorship
If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.
- Termination
This agreement can be terminated by the author or KABANTI upon two months’ notice where the other party has materially breached this agreement and failed to remedy such breach within a month of being given the terminating party’s notice requesting such breach to be remedied. No breach or violation of this agreement will cause this agreement or any license granted in it to terminate automatically or affect the definition of KABANTI.
- Royalties
This agreement entitles the author to no royalties or other fees. To such extent as legally permissible, the author waives his or her right to collect royalties relative to the article in respect of any use of the article by KABANTI or its sublicensee.
- Miscellaneous
KABANTI will publish the article (or have it published) in the Journal, if the article’s editorial process is successfully completed and KABANTI or its sublicensee has become obligated to have the article published. KABANTI may conform the article to a style of punctuation, spelling, capitalization and usage that it deems appropriate. The author acknowledges that the article may be published so that it will be publicly accessible and such access will be free of charge for the readers. KABANTI will be allowed to sublicense the rights that are licensed to it under this agreement.
