CERAMICS IN THE CAVES AND ROCK SHELTERS OF JABALNUR IN JABALNUR VILLAGE, KODEOHA DISTRICT, NORTH KOLAKA REGENCY, SOUTHEAST SULAWESI PROVINCE

Authors

  • Wulandari Wulandari Universitas Haluu Oleo
  • Sitti Kasmiati Universitas Halu Oleo
  • Abdul Alim Universitas Halu Oleo

DOI:

https://doi.org/10.33772/sangia.v8i1.2308

Keywords:

Burial Site, Ceramics, Jabalnur Cave

Abstract

Situs Gua Jabalnur is a burial site that contains various archaeological remains still discoverable today, one of which is ceramics. The motivation behind this research was to understand the forms and methods of ceramic production found at the site. This exploration utilized essential ideas, particularly those related to ceramics, fired components, and specificity. Employing inductive/qualitative reasoning, this descriptive-analytical study collected data through literature reviews, field observations, interviews, and documentation. Morphological, technological, and stylistic analyses were used to examine the information gathered. The exploration results revealed that out of 200 tests conducted, only 27 ceramic fragments could be reconstructed, yielding 14 rim fragments, 11 body fragments, and 2 base fragments. The types of ceramics identified included bowls, pots, and plates. Among these fragments, two types of ceramics were found: porcelain and earthenware pottery. The varieties of pottery production traced at the Gua and Ceruk Jabalnur sites showed that there were 14 rim compartments consisting of 3 variants, 11 body compartments consisting of 2 variants, and 2 foot bases consisting of 2 variants. Bowls, pots, and plates were the most commonly found structures, indicating their association with everyday use. Two ceramic production techniques were identified at Gua Jabalnur: the wheel-throwing technique and surface-finishing techniques, which included brushing and dipping. The decorative motifs on the ceramics were divided into two categories: floral and faunal motifs. Additionally, five decorative techniques were identified: incising, painting, appliqué, pressing, and a combination technique involving both pressing and incising.

References

Suib Awnrus (2016) ‘Proses Pembuatan Keramik. Jurusan Pendidikan Seni Rupa Dan Kerajinan FPBS IKIP Padang.’, pp. 1–85.

McKinnon, D.E.E. (1996) BUKU PANDUAN KERAMIK. Jakarta: Pusat Penelitian Arkeologi Nasional.

Muhaeminah, M. (2012) ‘Temuan Keramik Asing Hasil Penelitian Arkeologi Di Sulawesi Selatan’, Berkala Arkeologi, 32(1), pp. 39–50. Available at: https://doi.org/10.30883/jba.v32i1.46.

Orillaneda, B. (2012) ‘Unit 13: Asian Ceramics.Training Manual for the UNESCO Foundation Course on the Protection and Management of Underwater Cultural Heritage in Asia and the Pacific’, in. Bangkok: UNESCO Bangkok.

Raharjo, T. et al. (2018) Buku Panduan Analisis Keramik, Journal of Chemical Information and Modeling. Available at: http://repository.isi-ska.ac.id/3228/2/MENGENAL KERAMIK.pdf.

Zulfadli, M. (2017) ‘Tipologi Keramik Wadah Porselin Cina (Studi Pada Keramik di Museum Provinsi Sulawesi Tenggara)’, Sangia: Jurnal Penelitian Arkeologi, 1(1), pp. 44–58.

Downloads

Published

06-06-2024

Issue

Section

Volume 8, Nomor 1, Juni 2024

How to Cite

CERAMICS IN THE CAVES AND ROCK SHELTERS OF JABALNUR IN JABALNUR VILLAGE, KODEOHA DISTRICT, NORTH KOLAKA REGENCY, SOUTHEAST SULAWESI PROVINCE. (2024). SANGIA JOURNAL OF ARCHAEOLOGY RESEARCH, 8(1), 63-75. https://doi.org/10.33772/sangia.v8i1.2308

Most read articles by the same author(s)

1 2 3 > >> 

Similar Articles

1-10 of 39

You may also start an advanced similarity search for this article.